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A Move Into Drawing
Architecture and Culture Pub Date : 2019-05-04 , DOI: 10.1080/20507828.2019.1633504
Sophia Banou 1
Affiliation  

This article presents part of the process leading to the large-scale three-dimensional drawing entitled Weaving Lines/Looming Narratives (2013), through a series of three images. The project engaged with questions of presence and representation in the drawing of architectural and urban spaces, considering the city as a kinetic rather than static condition. On this basis, the process described revisits architectural drawing conventions in terms of their linear notational code and their lines of inclusion, to propose the introduction of the temporal and the ephemeral into architectural representation. Drawing from the cinematic discourses of Gilles Deleuze and Henri Begrson, the varied media that the images represent demonstrate the possibility of a composite drawing where the exchanges between time and space, vision and materiality can be made visible in a continuous field of architectural representation.

中文翻译:

进入绘图领域

本文通过一系列三幅图像展示了导致题为“编织线条/若隐若现的叙事”(2013)的大型三维绘图的部分过程。该项目涉及建筑和城市空间绘图中的存在和表现问题,将城市视为动态而非静态条件。在此基础上,所描述的过程根据线性符号代码及其包含线重新审视建筑绘图惯例,以提议将时间和短暂引入建筑表现。从吉尔·德勒兹 (Gilles Deleuze) 和亨利·贝格森 (Henri Begrson) 的电影话语中汲取灵感,图像所代表的各种媒体展示了合成绘画的可能性,其中时间和空间之间的交流,
更新日期:2019-05-04
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