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Liminality on the Slip: Agnes Martin in New York
Australian and New Zealand Journal of Art Pub Date : 2018-07-03 , DOI: 10.1080/14434318.2018.1516492
Andrew Robert Ward

vision, using a muted palette, to impart prominence to the composition of the forms on the picture plane. These darker forms of the composition ultimately Figure 2. Agnes Martin, Drift of Summer, 1957, oil on canvas, 127 91.4 cm, private collection. # Agnes Martin/ARS, licensed by Viscopy. Image courtesy Christie’s Images/Bridgeman Images. A. R. Ward

中文翻译:

滑倒的界限:艾格尼丝·马丁在纽约

视觉,使用柔和的调色板,突出图片平面上的形式组合。这些较暗的构图形式最终如图 2。艾格尼丝·马丁,《夏日的漂移》,1957 年,布面油画,127 91.4 厘米,私人收藏。# Agnes Martin/ARS,由 Viscopy 授权。图片由 Christie's Images/Bridgeman Images 提供。AR病房
更新日期:2018-07-03
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