This article analyzes the tacit norms of embodied turn-taking in a specific dance activity, Lindy Hop jam circles. Building on an extensive tradition of scrutinizing turn-taking in conversation, it shows how dancing couples negotiate the right to a next turn by visual means. Using multimodal interaction analysis, the article dissects the behavior of the exiting couple, the next dancing couple, and the spectators. The analysis shows that music is but one factor in turn-taking, and that maximally three publicly visible steps are necessary for a successful entrance: displaying “couplehood,” displaying imminent entrance, and occupying the exclusive central space. In a case of competition the dancers’ speed and determination are decisive.

中文翻译：

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如何作为情侣在场：在 Lindy Hop Jam 圈中轮流

本文分析了在特定舞蹈活动 Lindy Hop jam circles 中体现轮流转换的默认规范。基于在谈话中仔细检查轮换的广泛传统，它展示了跳舞的情侣如何通过视觉方式协商下一个轮换的权利。使用多模态交互分析，文章剖析了退出夫妇、下一个跳舞夫妇和观众的行为。分析表明，音乐只是轮换的一个因素，成功入场最多需要三个公开可见的步骤：展示“情侣”，展示即将到来的入口，以及占据专属的中央空间。在比赛中，舞者的速度和决心是决定性的。