This and the previous (June) number of Time and Mind presents some proceedings from a week-long international conference held at Linnaeus University in late October 2017: ‘Rock Art Worldings: Chronologies, Materialities and Ontologies.’ The conference, which I co-organized together with Ingrid Fuglestvedt (Oslo University) and Antti Lahelma (University of Helsinki), gathered more than 70 international scholars from all over the world. The conference aimed to explore different human cognitions and perceptions of the world, and how this might be unfolded through the global phenomenon that we – in the wish for a better notion – call ‘rock art.’ Its pursuit was to present a reconnaissance of rock art worldings; an expose of how pictographs and petroglyphs can be used to explore different forms of ‘modes of identifications’ (e.g. Descola 2013), such as animism, totemism, analogism, and naturalism (Goldhahn 2019a).

中文翻译：

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摇滚艺术世界

本期和上期（6 月）的 Time and Mind 展示了 2017 年 10 月下旬在林奈大学举行的为期一周的国际会议的一些论文集：“摇滚艺术世界：年代学、物质性和本体论”。此次会议由我与 Ingrid Fuglestvedt（奥斯陆大学）和 Antti Lahelma（赫尔辛基大学）共同组织，汇聚了来自世界各地的 70 多位国际学者。会议旨在探索人类对世界的不同认知和感知，以及如何通过我们——为了更好的概念——称之为“摇滚艺术”的全球现象来展开这一切。它的追求是呈现对岩画世界的侦察；展示如何使用象形文字和岩画来探索不同形式的“识别模式”（例如 Descola 2013），