ABSTRACT One of the most interesting questions we can ask through the medium of rock art is how the ontologies of the past can be traced through time. This paper addresses the following: who is related to whom in the rock art of the Northern Europe, and how these relationships materialised, developed and disappeared in rock art. In particular, I will concentrate on the notion of community through the concepts of articulators and localisers as proposed by Latour by looking how non-human entities can be seen as these bringing people together. Through creating galleries of seeing for visual storytelling as a part of the hard memory, the rock artists materialised ontologies of the past as active memories of what it meant to constitute communities, in which the praxis of being became an integral part of their stories. I focus on White Sea rock art dating from 6000 to 4000 BP.

中文翻译：

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实践的本体论：硬记忆与北欧的岩画

摘要 我们可以通过岩画媒介提出的最有趣的问题之一是如何通过时间追溯过去的本体论。本文讨论了以下内容：在北欧岩画中谁与谁有关，以及这些关系如何在岩画中具体化、发展和消失。特别是，我将通过 Latour 提出的表达者和本地化者的概念，通过研究如何将非人类实体视为将人们聚集在一起来关注社区的概念。通过创建视觉画廊，将视觉叙事作为硬记忆的一部分，摇滚艺术家将过去的本体具体化为对构成社区意味着什么的积极记忆，其中存在的实践成为他们故事中不可或缺的一部分。