Abstract This article aims to provide the first comprehensive overview of the activities of the visual arts community active during the siege of Sarajevo (1992–1995), focusing on the shifts in practical and discursive artistic practice as well as on developments in curatorial practice. While most studies have focused on individual instances of cultural production, this article proposes a more extensive analysis of the visual arts as a whole, building a foundation for a study of changes in civilian life in response to the siege through the prism of the work of artists. This allows for the exploration of how everyday dangers of prolonged conflict heavily impacted the local art scene, encouraging the use of new materials and discursive framing based on the realities of war, and ushered in new and radical ways of integrating a traditional artistic community with the broader urban public.

中文翻译：

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萨拉热窝贫民窟奇观

摘要 本文旨在首次全面概述萨拉热窝围城（1992-1995）期间活跃的视觉艺术界的活动，重点关注实践和话语艺术实践的转变以及策展实践的发展。虽然大多数研究都集中在文化生产的个别实例上，但本文提出对整个视觉艺术进行更广泛的分析，为通过工作的棱镜研究平民生活因围攻而发生的变化奠定基础。艺术家。这允许探索长期冲突的日常危险如何严重影响当地艺术界，鼓励使用新材料和基于战争现实的话语框架，