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”Let Man Remain Dead:” The Posthuman Ecology of Tale of Tales
Acta Universitatis Sapientiae, Film and Media Studies Pub Date : 2018-10-01 , DOI: 10.1515/ausfm-2018-0003
Francesco Sticchi 1
Affiliation  

Abstract In this essay I analyse Matteo Garrone’s Tale of Tales (2015) within the perspective of embodied cognition. I consider film experience as an affective-conceptual phenomenon based on the viewer’s embodiment of the visual structures. Baruch Spinoza stands at the foundation of my analytical approach since his thought was based on the absolute parallelism between the body and the mind. This paradigm redefines anthropocentrism and rejects dualism; however, the criticism of the rationalist ideal is also one of the main characteristics of the film Tale of Tales: by staging baroque and excessive characters, it allows the viewer to embody a notion of subjectivity that is performative and relational. Therefore, by combining the cognitive analysis of the film with my theoretical framework I will present a radical criticism of abstract rationality and present an ecological idea of the human.

中文翻译:

“让人类保持死:传说的后人类生态学”

摘要在本文中,我从体现认知的角度分析了马特奥·加罗内的《故事的故事》(2015年)。基于观众对视觉结构的体现,我认为电影体验是一种情感概念现象。Baruch Spinoza是我分析方法的基础,因为他的思想是基于身体与思想之间的绝对平行性。这种范式重新定义了人类中心主义,拒绝了二元论。然而,对理性主义理想的批评也是电影《童话故事》的主要特征之一:通过表演巴洛克式和过多的角色,它使观众能够体现一种表现力和关系性的主观性观念。因此,
更新日期:2018-10-01
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