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The Flux of Transmigrant Identities in Thomas Arslan’s Brothers and Sisters
Acta Universitatis Sapientiae, Film and Media Studies Pub Date : 2017-12-01 , DOI: 10.1515/ausfm-2017-0003
Anna Bátori 1
Affiliation  

Abstract The paper investigates Brothers and Sisters (Geschwister-Kardeşler, 1995), the first piece of Thomas Arslan’s Berlin-trilogy. While putting the film into the socio-historical context of the newly united German Republic, the study aims to highlight the characters’ struggle and constant shift between their Turkish and German identity. Through the narrative and textual analysis of Brothers and Sisters, the paper reveals the visual forms of social exclusion and concludes that in Arslan’s film, the characters bear with no social identity but various stages of identification, which keep them in an in-between, insecure position.

中文翻译:

托马斯·阿尔斯兰的兄弟姐妹中的移民身份流动

摘要本文研究了《兄弟姐妹》(Geschwister-Kardeşler,1995年),这是托马斯·阿尔斯兰(Thomas Arslan)的柏林三部曲的第一部。在将影片放到新近成立的德意志共和国的社会历史环境中时,这项研究的目的是强调人物在土耳其和德国身份之间的挣扎和不断变化。通过对《兄弟姐妹》的叙事和文本分析,揭示了社会排斥的视觉形式,并得出结论,在阿尔斯兰的电影中,这些人物没有社会认同,而具有不同的认同阶段,这使他们处于中间,不安全的境地。位置。
更新日期:2017-12-01
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