Abstract The article attempts a brief overview and evaluation of the main theoretical approaches that have emerged in the study of cinematic intermediality in the last decades since intermediality has become an established research term in media studies. It distinguishes three major paradigms in theorizing intermedia phenomena and outlines some of the directions of change in the intermedial strategies of recent films. It identifies in contemporary cinema a tendency to add new dimensions to the relations of in-betweenness regarding both the connection of cinema to reality and its inter-art entanglements. Finally, the article describes a new type of intermediality, which integrates elements of trans-textuality, creating a format of expanded cinema within cinema. This strategy is presented in the context of Eastern European cinema through a short case study of Cristi Puiu’s film, Sieranevada (2016).

中文翻译：

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当代电影中介性研究方法

摘要本文对电影中介性研究中出现的主要理论方法进行了简要的概述和评估，因为中介性已成为媒体研究中公认的研究术语，而最近几十年。它区分了理论上的中间媒介现象的三个主要范例，并概述了最近电影中间媒介策略的一些变化方向。它在当代电影中确定了一种趋势，即在电影与现实之间的联系及其艺术间的纠缠之间，在中间关系上增加了新的维度。最后，本文介绍了一种新型的中介形式，该媒介整合了跨文本性元素，从而创建了电影院内部扩展的电影院格式。