Abstract This essay considers Keats’s ‘Hyperion’ in terms of Cockney writers’ criticism of the post-war regime, exploring political, social, and personal implications of Apollo’s apotheosis. While Hazlitt’s characterisation of ‘legitimate’ governors illuminates the psychology of the Titans, Hunt’s ‘cosmopolitics’ reveal with prophetic overtones the democratic power of the press in the transmission of knowledge conducted by Mnemosyne. This, I argue, helps to position the new Olympian as the embodiment of the growing national importance of the printed medium after Waterloo. Viewed in this light, Mnemosyne’s tutelage reflects Keats’s own experience as a reader; the goddess’s foster child suffers, then, his idea of poetic heroism, shaped in part as a challenge to Hazlitt’s and Haydon’s skepticism of poetry’s reformative power.

中文翻译：

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新英雄主义的诞生：滑铁卢后的科克尼政治和“海波龙”

摘要 本文从康尼作家对战后政权的批评角度考虑济慈的“Hyperion”，探索阿波罗神化的政治、社会和个人影响。虽然黑兹利特对“合法”统治者的描述阐明了泰坦的心理，但亨特的“世界政治”以预言的色彩揭示了媒体在由 Mnemosyne 进行的知识传播中的民主力量。我认为，这有助于将新奥运选手定位为滑铁卢之后印刷媒体日益增长的国家重要性的体现。从这个角度来看，Mnemosyne 的指导反映了济慈作为读者的经历；于是，女神的养子遭受了他的诗意英雄主义思想的折磨，这在一定程度上是为了挑战黑兹利特和海登对诗歌改革力量的怀疑。