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The Revolt of Islam: Texts, Subtexts, Contexts
The Keats-Shelley Review Pub Date : 2018-07-03 , DOI: 10.1080/09524142.2018.1520460
Maria Valentini 1
Affiliation  

It was the postcard that snapped her back, on top of the cluster of bills and other mail. She glanced at the message, a standard scrawled greeting, sent by a friend staying in Rome, then looked again at the face of the card. It was a reproduction of the cover of Shelley’s poem in twelve cantos, first edition, called Revolt of Islam. Even in postcard format, it was clear that the cover was beautifully designed, with a large illustrated R that included creatural flourishes, a ram’s head and what may have been a fanciful fish with a tusk and a trunk. Revolt of Islam. The card was from the Keats–Shelley House in Piazza di Spagna and she’d understood in the first taut seconds that the card had been sent a week or two earlier. It was a matter of simple coincidence, or not so simple, that a card might arrive at this particular time bearing the title of that specific book.

中文翻译:

伊斯兰教的起义:文本、潜台词、语境

是那张明信片让她回过神来,放在一堆钞票和其他邮件的顶部。她看了一眼消息,这是一个标准的潦草问候,是一个住在罗马的朋友发来的,然后又看了看卡片的脸。它是雪莱诗歌封面的十二篇第一版的翻版,名为《伊斯兰起义》。即使是明信片格式,很明显封面设计精美,有一个大的插图 R,其中包括生物的繁荣、一只公羊的头和可能是一条有象牙和树干的奇特鱼。伊斯兰教的起义。这张卡片来自西班牙广场的济慈-雪莱故居,她在紧绷的第一秒就明白这张卡片是在一两周前寄出的。这是一个简单的巧合,或者不那么简单,
更新日期:2018-07-03
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