Abstract This essay presents the motivation and methodology behind Sara Ouhaddou’s work through an account of one of her early projects: a collaboration with young women studying traditional embroidery within the conservative confines of the government art school in Tetouan, Morocco. It explores how Ouhaddou’s artistic vision evolved in dialogue with these craft practitioners by challenging them to push the boundaries of traditional patterns, thereby catalyzing their own development as embroidery artists and the creation of new audiences for their work.

中文翻译：

---

解构代码：编织/非编织项目

摘要 本文通过对 Sara Ouhaddou 早期项目之一的描述，展示了 Sara Ouhaddou 作品背后的动机和方法：与在摩洛哥得土安政府艺术学校的保守范围内学习传统刺绣的年轻女性合作。它探索了 Ouhaddou 的艺术视野如何在与这些工艺从业者的对话中演变，通过挑战他们突破传统图案的界限，从而促进他们作为刺绣艺术家的发展，并为他们的作品创造新的观众。