Abstract Discussing films’ nationality raises two questions. The first relates to the identity and culture films are supposed to transmit. The second relates to the duality of the sector, which is divided into art / art-house films, defined as “national”, and into the industry / blockbuster films, defined as American productions. European institutions facilitate co-productions and the circulation of films. Co-productions have increased in the past decades, and one may wonder how they affect the “film nationality”. This issue is particularly important to address at a time when international institutions praise diversity and the specificities of nations in a global context.

中文翻译：

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电影国籍：这一概念在欧洲的意义

摘要讨论电影的国籍提出了两个问题。第一个与身份和文化电影应该传播有关。第二个涉及该部门的二元性，分为艺术/艺术电影（定义为“国家”）和工业/大片（定义为美国产品）。欧洲机构促进联合制作和电影发行。在过去的几十年中，联合制作的数量有所增加，也许有人想知道它们如何影响“电影国籍”。在国际机构赞扬全球背景下国家的多样性和特殊性时，解决这一问题尤为重要。