Abstract This essay examines Hagedorn's early satires and his Rococo songs in order to tease out the enormous shifts in poetic content and in the role of poetic form that occurred in the first half of the eighteenth century. Hagedorn's endeavors are linked to Baumgarten's early investigations into sensate cognition. I argue that both writers discover an indispensable epistemological function of the lyric that relies on poetry's specific mediality to generate, observe, and evaluate cognitive processes in the encounter of self and world.

中文翻译：

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认知诗学。哈格多恩诗歌中的理性与感性认知

摘要 本文考察了哈格多恩的早期讽刺作品和他的洛可可歌曲，以梳理出十八世纪上半叶诗歌内容和诗歌形式作用的巨大变化。Hagedorn 的努力与 Baumgarten 对感官认知的早期研究有关。我认为，两位作者都发现了抒情诗不可或缺的认识论功能，这种功能依赖于诗歌的特定媒介来生成、观察和评估自我与世界相遇的认知过程。