ABSTRACT This article draws on the concepts of narrative interactivity and closure to investigate three World War II-era print media characters. The analysis details how Al Parker’s Mary & Jane and Norman Rockwell’s Willie Gillis developed a perceived authenticity that invited fans to envision the propaganda drawings as having lives beyond their artistic origins. The essay concludes that the narrative arcs of these characters prefigured the imagined relationships that subsequent generations developed with televised characters.

中文翻译：

---

人物素描：玛丽、简和威利的好奇宣传生涯

摘要 本文利用叙事交互性和封闭性的概念来研究二战时期的三个印刷媒体人物。分析详细说明了艾尔帕克的玛丽和简和诺曼洛克威尔的威利吉利斯如何发展出一种感知的真实性，邀请粉丝们将宣传画想象成超越其艺术起源的生活。这篇文章的结论是，这些角色的叙事弧线预示了后代与电视角色发展起来的想象关系。