Throughout the Weimar Republic, the modern realist painters associated with the New Objectivity explored the effects of surface materiality and psychological detachment as they depicted the popular social type of the New Woman looking sachlich—sober, sporty, practical, and functionally dressed. The fashionable surfaces of Lotte Laserstein’s New Woman pictures provide an opportunity to reevaluate Neue Sachlichkeit painting, which has historically centered on the male painters Otto Dix, Christian Schad, George Grosz, and Anton Räderscheidt. Laserstein emphasizes the sensuousness of clothing and corporeality to portray the New Woman as an embodied subject who negotiated the conditions of Weimar modernity.

中文翻译：

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一个新的客观性：乐天·雷斯特斯坦的《新女人》图片中的时尚表面

在整个魏玛共和国，与新客观性相关的现代现实主义画家探索了表面物质性和心理疏离的影响，因为他们描绘了新女人看起来萨克利奇的流行社会类型：清醒，运动，实用和穿着实用。乐天·雷斯特斯坦（Lotte Laserstein）的《新女人》（New Woman）图片的时尚表面为重新评估Neue Sachlichkeit绘画提供了机会，该绘画历史上一直集中于男性画家Otto Dix，Christian Schad，George Grosz和AntonRäderscheidt。莱斯特斯坦（Laserstein）着重强调衣着和体裁的感性，以将“新女性”描绘成一个体现了魏玛现代性条件的具体主题。