Henri Matisse produced three famous “decorative landscapes” in Tangier in 1912. New documents throw fresh light on the physical and cultural milieu in which they were made. Unpublished photographs of Henri and Amélie Matisse in the grounds of the Senya el Hashti (Villa Brooks), Spanish army maps, and the artist’s letters reveal much about this Anglo-Moroccan heterotopia and the process by which Matisse arrived at his abstracting, not quite Orientalist productions. The entrepreneurial modernist used his newfound fame and British connections to access Captain John Hay Brooks’s garden, a space of aristocratic European privilege with a tragic recent history.

中文翻译：

---

Senya el Hashti的Matisse：盎格鲁摩洛哥花园中的外交和装饰

亨利·马蒂斯（Henri Matisse）于1912年在丹吉尔（Tangier）创作了三幅著名的“装饰性景观”。新文献为制作它们的自然和文化环境注入了新的光辉。亨利（Henri）和阿梅莉·马蒂斯（AmélieMatisse）在塞尼亚·哈什蒂（Villa Brooks）的土地上未公开的照片，西班牙军队地图以及艺术家的来信揭示了这一盎格鲁-摩洛哥异质症以及马蒂斯到达他的抽象画的过程，而不是东方主义者生产。这位企业家现代主义者利用他新发现的名声和与英国的联系来进入约翰·海·布鲁克斯上尉的花园，该花园是欧洲贵族特权的空间，拥有最近的悲惨历史。