ABSTRACT The anti-humanism of Kleist’s Über das Marionettentheater — wherein the ideal of grace is supposed to make visible mechanical forces devoid of human self-consciousness — takes the form of a temptation. The text nevertheless has a poetological function inasmuch as temptation lies at the genesis of aesthetic experience for Kleist. The paper examines the potentialities of a form of agonistic reading in response to the challenges posed by Kleist’s aesthetics of temptation, and concludes by considering Die Marquise von O.... as an elaborate ritualistic manipulation designed to integrate transgressive desire into the ethics of civil society.

中文翻译：

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激昂的阅读：克莱斯特的诱惑美学

摘要克莱斯特（Kleist）的Überdas Marionettentheater的反人文主义（诱惑）是诱惑的形式，其中恩典的理想是使可见的机械力失去人类的自我意识。尽管如此，文本还是具有诗学功能的，因为诱惑在于克莱斯特美学经验的起源。本文考察了应对克利斯特的诱惑美学所带来的挑战的一种形式的激进阅读的可能性，并以《马奎斯·冯·奥尼尔...》作为一种精心设计的，旨在将过犯的欲望整合到公民伦理中的礼节性操纵作为结论。社会。