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Baroque Colours: A Concept in Transition
Oxford German Studies Pub Date : 2020-01-02 , DOI: 10.1080/00787191.2020.1735712
Margrit Vogt 1
Affiliation  

From the Old Testament through the Middle Ages to modern times colour perception loses its close link to the object and finally arrives at complete detachment. The first big shift takes place during the baroque era both in philosophical thought (Descartes, Locke, and Leibnitz) and in the literary use of colours (Hoffmannswaldau, Gerhardt, Gryphius, Opitz, and Eltester), provoking an aesthetic and epistemological shock.

中文翻译:

巴洛克色彩:转型中的概念

从旧约到中世纪,再到现代,色彩感知失去了与物体的紧密联系,最终达到完全脱离。第一次重大转变发生在巴洛克时代,无论是哲学思想(笛卡尔、洛克和莱布尼茨)还是文学色彩的运用(霍夫曼斯瓦尔道、格哈特、格里菲斯、奥皮茨和埃尔泰斯特),都引发了美学和认识论的冲击。
更新日期:2020-01-02
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