The term ‘Liebe’ and its variants occur over 120 times in Horkheimer’s and Adorno’s Dialektik der Aufklärung and Adorno’s Minima Moralia. The article will examine the function of the concept of ‘love’ in Adorno’s thought, especially in relation to the positioning of the subject and object of love and its relation to Adorno’s critique of (masculine) subjectivity. It will furthermore claim that the ideal-typical relationship between lovers serves as a critique of the capitalist ‘Tauschprinzip’ and thus mirrors the relationship between art object and beholder in Adorno’s Aesthetic Theory, proceeding from the same dialectical ground as Adorno’s conception of the work of art.

中文翻译：

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'Die eigentlich humane Leidenschaft'？阿多诺的爱的概念在Dialektik der Aufklärung和Minima Moralia

术语“Liebe”及其变体在霍克海默和阿多诺的 Dialektik der Aufklärung 和阿多诺的 Minima Moralia 中出现了 120 多次。本文将考察“爱”概念在阿多诺思想中的作用，特别是与爱的主体和客体的定位及其与阿多诺对（男性）主体性批判的关系。它将进一步声称，恋人之间的理想典型关系是对资本主义“Tauschprinzip”的批判，因此反映了阿多诺美学理论中艺术品和旁观者之间的关系，从与阿多诺的作品概念相同的辩证基础出发。艺术。