Abstract One of the most prominent notions in Heidegger’s thinking about art is that of the earth (die Erde). This paper probes the phenomenological potential of Heidegger’s concept by turning to the work of contemporary British artist Andy Goldsworthy. Drawing from Heidegger’s theoretical writings as well as his analysis of a poem by C.F. Meyer in “The Origin of the Work of Art” and his 1936–37 seminar on Schiller, I show that Goldsworthy’s sculptural art exemplifies different phenomenal traits of the “earth.” To supplement Heidegger’s discussion, both Husserl’s claim that the earth defines the “spatiality of nature” and the role of the earth in Hegel’s philosophy of nature are taken into account.

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地球之战：海德格尔的哲学与安迪·戈德斯沃西的艺术

摘要海德格尔关于艺术的思想中最突出的概念之一就是大地（die Erde）。本文通过转向当代英国艺术家安迪·戈德斯沃西（Andy Goldsworthy）的作品，探索海德格尔这一概念的现象学潜力。借鉴海德格尔的理论著作以及他对CF Meyer在“艺术作品的起源”中的一首诗的分析以及他在1936-37年关于席勒的研讨会上的研究，我证明了戈德沃斯沃西的雕塑艺术体现了“地球”的不同现象特征。 ” 为了补充海德格尔的论述，胡塞尔宣称地球定义了“自然的空间性”，并考虑了地球在黑格尔自然哲学中的作用。