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Corporealities in Italian Studies
Italian Studies Pub Date : 2020-04-02 , DOI: 10.1080/00751634.2020.1744866
Derek Duncan 1 , Heather Webb 2
Affiliation  

ABSTRACT This article illustrates the different shape that discourses of corporeality have taken within the discipline from a chronological perspective. The first section explores how critical frameworks relating to embodiment, performativity and affect expand premodern Italian studies beyond the limited patriarchal canon and better understand ‘performances’ of the Passion by late medieval and early modern women religious as a form of co-suffering that foregrounds embodiment as discourse and substitute for silenced female voices. This is followed by a detailed reflection on how modern understandings of biopolitics and its technologies, mass demo-graphic mobility, and contemporary discourses on race and gender effect a shift away from binary modes of categorisation and critical understandings of the body to produce alternative forms of knowledge and more complex understandings of the symbolic figuration of the body as an object of national concern.

中文翻译:

意大利研究中的主体

摘要本文从时间顺序的角度说明了本学科内关于体性的论述所采用的不同形式。第一部分探讨与体现,表现力和影响有关的关键框架如何将前现代的意大利研究扩展到有限的父权制教规之外,并更好地理解中世纪晚期和现代女性早期宗教信仰对激情的“表现”,作为对前景体现的一种共同忍受。作为话语并代替沉默的女性声音。接下来是对现代对生物政治及其技术,大规模人口流动,
更新日期:2020-04-02
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