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Luigi Pulci’s Parody of Josephus’s Judean Antiquities: An Indictment of Marsilio Ficino
Italian Culture Pub Date : 2018-05-08 , DOI: 10.1080/01614622.2018.1455335
Michael J. Maher 1
Affiliation  

Poi ch’io parti’ da voi is one of the earliest documents pertaining to the fifteenth-century polemic between the vernacular poet Luigi Pulci and the prolific philosopher Marsilio Ficino. Pulci’s sonnet parodies Josephus Flavius’s Judean Antiquities, written in the first century ce. In Judean Antiquities Josephus de-emphasizes biblical miracles; nevertheless, Ficino repeatedly cites Josephus in his religious treatise De Christiana religione. This study contextualizes Pulci’s parody within his discord with Ficino, and within the anticlerical poetic tradition of the epoch. A review of the polemic’s earliest chronology follows the examination of Pulci’s sonnet and an identification of his sort of parody. Ultimately, this study crystallizes the circumstances surrounding the Pulci–Ficino polemic, and identifies points of contention between a conservative religious point of view prevalent in the vernacular popular culture of the epoch and an innovative religious philosophy championed by Ficino.

中文翻译:

路易吉·普尔奇 (Luigi Pulci) 对约瑟夫斯朱迪亚古物的模仿:对马西里奥·菲奇诺 (Marsilio Ficino) 的起诉

Poi ch'io parti' da voi 是关于 15 世纪白话诗人 Luigi Pulci 和多产哲学家 Marsilio Ficino 之间争论的最早文件之一。Pulci 的十四行诗模仿了 Josephus Flavius 写于公元一世纪的 Judean Antiquities。在 Judean Antiquities 中,约瑟夫斯不再强调圣经中的奇迹;尽管如此,菲奇诺在他的宗教论文 De Christiana 宗教中反复引用约瑟夫斯。这项研究将普尔奇与菲奇诺的不和谐以及那个时代反教权的诗歌传统置于背景之中。在对普尔奇十四行诗的检查和对他的模仿类型的鉴定之后,对这场论战最早的年表进行了回顾。最终,这项研究明确了围绕 Pulci-Ficino 争论的情况,
更新日期:2018-05-08
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