ABSTRACT This article surveys the various pictorial treatments of Alexander in French historical compendia from the twelfth to fifteenth centuries, focusing on three traditions: Lambert of Saint-Omer’s Liber floridus; Vincent of Beauvais’ Speculum historiale, in Latin and in the French translation by Jean de Vignay, and Jean de Courcy’s La Bouquechardière. In all these texts the presence of pictures and the subjects chosen reflect what was thought about the relative importance of the accompanying text. Shifts in the choices of episodes selected for illustration, and changes in the patterns of patronage, from ecclesiastical figures to members of the royal, noble, and finally governing classes, many of them women, denote a continued and evolving interest in Alexander as an important figure of history and legend.

中文翻译：

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法国编年史中对亚历山大的认知变化

摘要 本文调查了 12 至 15 世纪法国历史纲要中对亚历山大的各种绘画处理，重点关注三个传统：圣奥梅尔的自由之花的兰伯特；Vincent of Beauvais 的 Speculum historiale，拉丁文和 Jean de Vignay 的法文译本，以及 Jean de Courcy 的 La Bouquechardière。在所有这些文本中，图片和所选主题的存在反映了人们对随附文本的相对重要性的看法。为插图选择的剧集选择的变化，以及赞助模式的变化，从教会人物到皇室成员、贵族成员，最后是统治阶级，其中许多是女性，表明人们对亚历山大的持续和不断发展的兴趣作为重要人物历史和传奇人物。