Journal of Modern Italian Studies ( IF 0.500 ) Pub Date : 2021-02-09 , DOI: 10.1080/1354571x.2020.1855804 Susan Rutherford 1
ABSTRACT
The new Italian vocal style that arrived in Britain at the end of the seventeenth century with teachers such as Pietro Reggio and Pier Francesco Tosi – and which soon became regarded as the epitome of vocal expertise – was the sound of italianità as much as it was a pragmatic mode of vocal production. My intention in this article is to trace emerging patterns of Italian singing teachers who settled (sometimes only briefly) in Britain, and explore their impact and influence on ideas of singing. Beyond Reggio and Tosi, particular attention will be given to later prominent Italian musicians resident in London (Domenico Corri, Gesualdo Lanza and Giacomo Gotifredo Ferrari in the early 1800s; Alberto Randegger and Paolo Tosti in the early 1900s) and the degree to which they challenged or accommodated British vocal culture within their teaching of Italian style and technique.
中文翻译:
1664–1914年在伦敦进行声乐教学法和意大利音乐移民
摘要
在17世纪末,彼得罗·雷焦(Pietro Reggio)和皮埃尔·弗朗切斯科·托西(Pier Francesco Tosi)等老师抵达英国后,一种新的意大利人声风格传入了意大利,这种声音很快就被认为是人声专业的缩影。尽管这是一种实用的发声方式。我在本文中的目的是追溯在英国定居(有时只是短暂)的意大利歌唱教师的新兴模式,并探讨他们对歌唱观念的影响。除雷焦和托西外,还将特别关注后来居住在伦敦的著名意大利音乐家(1800年代初期的多梅尼科·科里,吉萨尔多·兰萨和贾科莫·格蒂弗雷多·法拉利; 1900年代初的阿尔贝托·兰德格和保罗·托斯蒂)以及他们挑战的程度或在他们讲授意大利风格和技巧的过程中容纳了英国的声乐文化。