当前位置: X-MOL 学术Musicology Australia › 论文详情
Our official English website, www.x-mol.net, welcomes your feedback! (Note: you will need to create a separate account there.)
Contrasting Approaches: The Continued Relevance of Pre-recorded Live Electronics in Australian Music
Musicology Australia Pub Date : 2016-01-02 , DOI: 10.1080/08145857.2016.1159647
Peter McNamara

As new technology has taken effect over the decades since the earliest electronic music was created, ‘real-time’ rather than ‘pre-recorded’ technologies have largely come to dominate the medium of ‘live electronics’. Yet despite the rapid developments of real-time and particularly ‘interactive’ technologies, many composers continue to use various forms of pre-recorded electronics. This article offers some explanations as to why this medium is still relevant for many composers and discusses a number of live electronic works written by the author and others. The advantages of pre-recorded, live electronic works and possibilities for allowing the performer(s) various levels of temporal freedom to interpret certain musical phrases and gestures freely is also discussed as an integral part of this medium.

中文翻译:

对比方法:澳大利亚音乐中预先录制的现场电子乐的持续相关性

自从最早的电子音乐创建以来,新技术已经生效了数十年,“实时”而非“预录”技术已在“现场电子”媒体中占主导地位。尽管实时技术特别是“交互式”技术发展迅速,但许多作曲家仍在使用各种形式的预录电子产品。本文对为什么这种媒体仍然与许多作曲家相关的问题提供了一些解释,并讨论了作者和其他人撰写的许多现场电子作品。作为该媒体的组成部分,还讨论了预先录制的现场电子作品的优点,以及允许表演者不同程度的时间自由自由地解释某些音乐短语和手势的可能性。
更新日期:2016-01-02
down
wechat
bug