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‘Discomfit them, O Lord, that Trust in their Own Multitude’: A New Editorial Approach to the Tallis–Byrd Cantiones sacrae
Musicology Australia Pub Date : 2016-07-02 , DOI: 10.1080/08145857.2016.1239243 Denis Collins
Musicology Australia Pub Date : 2016-07-02 , DOI: 10.1080/08145857.2016.1239243 Denis Collins
The contents of the Cantiones sacrae, published by Thomas Tallis and William Byrd in 1575, have been edited, performed and recorded numerous times, yet John Milsom’s contribution to the Early English Church Music series is the first attempt to bring all of the works of this volume together in a single edition. Unlike other studies of this music, Milsom employs a system of parallel scores whereby variant states of each work, where they exist, are placed side by side in the edition with the version published in 1575. An introductory essay and detailed critical notes to each work and its variants preclude the need for detailed commentaries and notes at the end of the book, while footnotes to the musical editions are kept to a minimum. In the general introduction to the volume, Milsom takes issue with several tenacious views about the circumstances surrounding the publication of the Cantiones sacrae. Most contentious are his arguments that it was a book intended for a primarily Continental readership and that it was not necessarily a financial failure. The present article assesses the merits of Milsom’s editorial approach and contextual discussions and their likely impact on the field of early music scholarship. In his edition of the monumental Cantiones, quae ab argumento sacrae vocantur, published in 1575 as a joint venture between England’s two most eminent English composers, John Milsom presents the entire contents of the volume (hereafter CS1575) in their published order side by side with revisions and adaptations of individual works by Tallis and Byrd or by other hands. The result is a volume that departs significantly from prior editorial practice in the Early English Church Music series and indeed from many commonly encountered approaches to editing early music. Milsom’s aim is to put the book itself at the centre of his enterprise. As Magnus Williamson points out in his Foreword, Milsom considers CS1575 ‘as part, perhaps the central part, of a dynamic process of creation and adaptation’ which is illuminated by a detailed investigation of the reception history of CS1575 by way of its copies and contrafacta (p. v). The result is a book of nearly 500 pages, with no effort spared by the editor or publisher to gather in one place critical editions of each of the compositions in CS1575 and their variants until approximately the time of Byrd’s death. Milsom’s exemplary attention to editorial methodology along with his imaginative and frequently provocative assessments of historical and contextual issues will provide both novice and seasoned readers
中文翻译:
“勋爵,让他们感到不满意的是,信任自己的群众”:对塔利斯-伯德·坎蒂内斯圣礼的新编辑方法
托马斯·塔利斯(Thomas Tallis)和威廉·伯德(William Byrd)于1575年出版的《 Cantiones sacrae》的内容已被编辑,表演和录制了无数次,但John Milsom对早期英语教堂音乐系列的贡献是将所有这些作品带入世界的首次尝试。在一个单独的版本中一起卷。与对音乐的其他研究不同,米尔索姆采用了平行乐谱系统,将每件作品的不同状态(如果存在)与1575年出版的版本并排放置。有关每篇作品的介绍性论文和详细的批判注释其变体排除了在本书结尾处进行详细注释和注释的需要,同时使音乐版本的脚注保持在最低限度。在本卷的一般介绍中,米尔索姆对围绕《圣餐》发表的情况持顽强的看法。最有争议的是他的论点,认为这是一本主要面向大陆读者的书,而不一定是财务上的失败。本文评估了Milsom的编辑方法和上下文讨论的优点,以及它们对早期音乐学术领域的可能影响。约翰·米尔索姆(John Milsom)在1575年以英格兰两位最杰出的英国作曲家的合资企业出版的纪念性《 Cantiones》一书中,以其出版的顺序并排展示了该书卷的全部内容(以下称CS1575)。 Tallis和Byrd或其他人对个人作品的修改和改编。其结果是与早期英语教会音乐系列中以前的编辑实践以及实际上许多编辑早期音乐的方法大相径庭。Milsom的目标是将书籍本身放在他的事业中心。正如马格努斯·威廉姆森(Magnus Williamson)在其前言中指出的那样,米尔索姆认为CS1575是“动态的创造和适应过程的一部分,也许是核心部分”,这一点可以通过对CS1575的接收历史进行详细调查来阐明,以了解其副本和实物。 (第v页)。结果是一本近500页的书,编辑或出版商不遗余力地将CS1575中每个作品及其变体的重要版本集中收集在一个地方,直到伯德去世为止。
更新日期:2016-07-02
中文翻译:
“勋爵,让他们感到不满意的是,信任自己的群众”:对塔利斯-伯德·坎蒂内斯圣礼的新编辑方法
托马斯·塔利斯(Thomas Tallis)和威廉·伯德(William Byrd)于1575年出版的《 Cantiones sacrae》的内容已被编辑,表演和录制了无数次,但John Milsom对早期英语教堂音乐系列的贡献是将所有这些作品带入世界的首次尝试。在一个单独的版本中一起卷。与对音乐的其他研究不同,米尔索姆采用了平行乐谱系统,将每件作品的不同状态(如果存在)与1575年出版的版本并排放置。有关每篇作品的介绍性论文和详细的批判注释其变体排除了在本书结尾处进行详细注释和注释的需要,同时使音乐版本的脚注保持在最低限度。在本卷的一般介绍中,米尔索姆对围绕《圣餐》发表的情况持顽强的看法。最有争议的是他的论点,认为这是一本主要面向大陆读者的书,而不一定是财务上的失败。本文评估了Milsom的编辑方法和上下文讨论的优点,以及它们对早期音乐学术领域的可能影响。约翰·米尔索姆(John Milsom)在1575年以英格兰两位最杰出的英国作曲家的合资企业出版的纪念性《 Cantiones》一书中,以其出版的顺序并排展示了该书卷的全部内容(以下称CS1575)。 Tallis和Byrd或其他人对个人作品的修改和改编。其结果是与早期英语教会音乐系列中以前的编辑实践以及实际上许多编辑早期音乐的方法大相径庭。Milsom的目标是将书籍本身放在他的事业中心。正如马格努斯·威廉姆森(Magnus Williamson)在其前言中指出的那样,米尔索姆认为CS1575是“动态的创造和适应过程的一部分,也许是核心部分”,这一点可以通过对CS1575的接收历史进行详细调查来阐明,以了解其副本和实物。 (第v页)。结果是一本近500页的书,编辑或出版商不遗余力地将CS1575中每个作品及其变体的重要版本集中收集在一个地方,直到伯德去世为止。