The century-long engagement of museums with the moving image is examined through a case study of its deployment by National Museums Scotland (inclusive of its predecessor organisations the Royal Scottish Museum and the Royal Museum of Scotland). The study engages the academic genres of film studies and museum studies to critically examine the use of moving images in, and by, the Museum over what might be termed the long twentieth century. In particular, it explores how developing technologies of film and video production and consumption created the institution’s ‘celluloid culture’ and its expression through material and virtual spaces of museum practice.

中文翻译：

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投影博物馆：苏格兰国家博物馆内和外的动态图像

通过苏格兰国家博物馆（包括其前身组织苏格兰皇家博物馆和苏格兰皇家博物馆）对其部署的案例研究，研究了博物馆与移动图像长达一个世纪的互动。该研究涉及电影研究和博物馆研究的学术流派，以批判性地审查运动图像在可以被称为漫长的 20 世纪的博物馆中的使用。特别是，它探索了电影和视频制作和消费的发展技术如何通过博物馆实践的物质和虚拟空间创造了该机构的“赛璐珞文化”及其表达。