ABSTRACT The Marquesa de Cavalcanti Collection kept at the Volkenkunde Museum, in Leiden, the Netherlands, is one of the oldest records of the existence of Brazilian objects in this museum. It is part of a broader collection created for the Brazilian Anthropological Exhibition, held in 1882, and for the Universal Exhibition in Paris, held in 1889. The main focus of this article is on the itineraries of this collection from its first exhibitions in Brazil and Paris to the Volkenkunde collection in Leiden. Despite the challenge posed by lack of documentation to understand the ‘social life’ of objects, we believe that the investigation of the itineraries of collections and the analysis of different social relations inscribed in objects may provide a key to understanding the history of ethnographic and archaeological collections. This article analyses how collections connected colonial regions to metropolitan areas in the second half of the nineteenth century, in the particular case of Brazil, Paris, and the Netherlands. It further discusses the role of women in the production of archaeological and ethnographic collections and, consequently, their place in the production of anthropological and archaeological knowledge.

中文翻译：

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无证物品：莱顿 Volkenkunde 博物馆收藏的 Cavalcanti

摘要 保存在荷兰莱顿 Volkenkunde 博物馆的 Marquesa de Cavalcanti 藏品是该博物馆中最古老的巴西物品存在记录之一。它是为 1882 年举办的巴西人类学展览和 1889 年举办的巴黎世界博览会而创作的更广泛收藏品的一部分。本文的主要重点是该收藏品在巴西首次展览的行程以及巴黎到莱顿的 Volkenkunde 系列。尽管缺乏文献来理解物品的“社会生活”带来了挑战，但我们相信，对藏品路线的调查和对物品中铭刻的不同社会关系的分析，可能为理解民族志和考古学的历史提供关键。集合。本文分析了 19 世纪下半叶，特别是巴西、巴黎和荷兰的藏品如何将殖民地区与大都市区联系起来。它还进一步讨论了女性在考古和人种学收藏品制作中的作用，以及她们在人类学和考古学知识制作中的地位。