Abstract This paper tries to detect key elements in the translated performance of Shakespeare by focusing on Satoshi Miyagi’s “Mugen-Noh Othello” (literally meaning “Dreamy Illusion Noh play Othello”), first performed in Tokyo by Ku=Nauka Theatre Company in 2005, and subsequently seen in New Delhi, having now acquired a classic status of renowned Shakespearean adaptation in a foreign language that bridges a gap between the traditional form of Noh and the modern stage-presentation.

中文翻译：

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“我在他的脑海中看到了奥赛罗的容貌”，或“白色面具，黑色手帕夫”：宫城聪的穆根·诺·奥赛罗和翻译理论

摘要本文试图通过重点研究宫城本聪（Satoshi Miyagi）于2005年在东京首次演出的宫城里敏的《梦中的奥赛罗》（字面上的意思是《梦幻幻的奥赛罗》）来发现莎士比亚戏剧翻译中的关键元素，后来在新德里看到，现在以外语获得了著名的莎士比亚改编作品的经典地位，弥合了传统的能剧形式和现代舞台表演之间的鸿沟。