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Violent Feelings at Scale: Body, Affect, Public
Lit: Literature Interpretation Theory Pub Date : 2019-04-03 , DOI: 10.1080/10436928.2019.1597611
Anna Ioanes , Douglas Dowland

In the second half of this special double issue of LIT: Literature Interpretation Theory, we continue to explore the forms and effects of violent feeling in contemporary literature, film, and culture. Taken together, the essays in this issue help us to connect violence and feeling through the vectors of racial identity, spatial politics, trauma, neoliberalism, and embodiment. Working at a number of different scales–from the broad sweep of Hurricane Katrina and its aftereffects to the inhalation and exhalation of a single breath–these essays show how violent feelings operate at multiple scales to connect the minor to the epochal, the social to the embodied. These essays address violent feelings across the twentiethand twenty-first century, beginning with the large-scale use of violent aerial technologies in World War I and concluding with considerations of police violence as it has been critiqued by the Black Lives Matter movement. In order to apprehend large-scale formations of violent feeling like these, however, wemust also look to local, particular, even private manifestations of violence and feeling. The looming threat of large-scale violence, after all, manifests in the individual body, its anxieties and its pain. As Sean Austin Grattan notes, there are “intersections between violence, belonging, and publics in the United States” that are in need of study (63). He notes the “overwhelming fear of difference” that saturated the American public sphere in the 1990s, that manifested in the Los Angeles riots and the rise of Giuliani in New York City, but that is also evident in an array of texts by Anna Deveare Smith, ToniMorrison, andChuck Palahniuk. Seen in this way, the 1990s seem stuck between the affective intensities of violence and the emptiness of boredom, suggestive of a broader disorder in “the competing models of citizenship” which emerged in the decade (73). As a flashpoint where new forms of citizenship emerge, and, with them, new formations of affect and sociality, the 1990s are also a meeting point of, for example, the tensions of the Cold War and the slow violences of late capitalism. We know, as Grattan does, that violence creates new assemblages in its very act of destroying others. For a moment, its punch connects aggressor and victim, and just as instantly, it clarifies the incommensurable relationship

中文翻译:

大规模的暴力感觉:身体,影响,公众

在《 LIT》这本特殊的双期杂志的下半部分:文学解释理论中,我们将继续探索当代文学,电影和文化中暴力感觉的形式和影响。综上所述,本期的文章通过种族认同,空间政治,创伤,新自由主义和体现方式的媒介帮助我们将暴力与情感联系起来。从不同程度的工作-从卡特里娜飓风及其后遗症到一次呼吸的吸气和呼气-这些文章表明,暴力感是如何在多个层面上起作用,将未成年人与时代,社会与人类联系在一起。体现。这些文章论述了二十一世纪二十世纪的暴力情感,首先是在第一次世界大战中大规模使用暴力航空技术,最后是对警察暴力的考虑,因为该技术已被“黑人生活问题”运动批评。但是,为了理解这种暴力感觉的大规模形成,我们还必须着眼于局部的,尤其是私人的暴力和感觉表现。毕竟,大规模暴力迫在眉睫的威胁体现在个人的身体,焦虑和痛苦中。正如肖恩·奥斯丁·格拉顿(Sean Austin Grattan)所指出的那样,“在美国,暴力,财产和公众之间存在交叉点”,需要研究(63)。他指出,在1990年代,“压倒性的对差异的恐惧”使美国的公共领域饱和,这体现在洛杉矶的骚乱和朱利安尼在纽约市的崛起,但这在安娜·德瓦雷·史密斯,托尼·莫里森和查克·帕拉纽克的一系列著作中也很明显。从这种角度看,1990年代似乎陷入了暴力的情感强度与无聊的空虚之间,这暗示了十年间出现的“公民身份竞争模式”中更为广泛的混乱(73)。作为出现新的公民身份以及随之而来的新的情感和社会形态的闪点,1990年代也是例如冷战紧张局势和晚期资本主义暴力缓慢之交汇点。我们知道,正如格拉顿所做的那样,暴力在其摧毁他人的行为中创造了新的组合。片刻之间,它的一拳将侵略者和受害者联系在一起,并且立即阐明了不可估量的关系 从这种角度看,1990年代似乎陷入了暴力的情感强度与无聊的空虚之间,这暗示了十年间出现的“公民身份竞争模式”中更为广泛的混乱(73)。作为出现新的公民身份以及随之而来的新的情感和社会形态的闪点,1990年代也是例如冷战紧张局势和晚期资本主义暴力缓慢之交汇点。我们知道,正如格拉顿所做的那样,暴力在其摧毁他人的行为中创造了新的组合。片刻之间,它的一拳将侵略者和受害者联系在一起,并且立即阐明了不可估量的关系 从这种角度看,1990年代似乎陷入了暴力的情感强度与无聊的空虚之间,这暗示了十年间出现的“公民身份竞争模式”中更为广泛的混乱(73)。作为出现新的公民身份以及随之而来的新的情感和社会形态的闪点,1990年代也是例如冷战紧张局势和晚期资本主义暴力缓慢之交汇点。我们知道,正如格拉顿所做的那样,暴力在其摧毁他人的行为中创造了新的组合。片刻之间,它的一拳将侵略者和受害者联系在一起,并且立即阐明了不可估量的关系 这暗示了十年来出现的“相互竞争的公民身份模式”中更广泛的混乱(73)。作为出现新的公民身份以及随之而来的新的情感和社会形态的闪点,1990年代也是例如冷战紧张局势和晚期资本主义暴力缓慢之交汇点。我们知道,正如格拉顿所做的那样,暴力在其摧毁他人的行为中创造了新的组合。片刻之间,它的一拳将侵略者和受害者联系在一起,并且立即阐明了不可估量的关系 这暗示了十年来出现的“相互竞争的公民身份模式”中更广泛的混乱(73)。作为出现新的公民身份以及随之而来的新的情感和社会形态的闪点,1990年代也是例如冷战紧张局势和晚期资本主义暴力缓慢之交汇点。我们知道,正如格拉顿所做的那样,暴力在其摧毁他人的行为中创造了新的组合。片刻之间,它的一拳将侵略者和受害者联系在一起,并且立即阐明了不可估量的关系 就像格拉顿所做的那样,暴力在摧毁他人的行为中创造了新的组合。片刻之间,它的一拳将侵略者和受害者联系在一起,并且立即阐明了不可估量的关系 就像格拉顿所做的那样,暴力在摧毁他人的行为中创造了新的组合。片刻之间,它的一拳将侵略者和受害者联系在一起,并且立即阐明了不可估量的关系
更新日期:2019-04-03
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