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The Artists Village: Openly Intervening in the Public Spaces of the City of Singapore
Open Philosophy Pub Date : 2019-12-13 , DOI: 10.1515/opphil-2019-0047
Adrian Tan 1
Affiliation  

Abstract This paper focuses on how the social, dialogical and collaborative strategies and practices of The Artists Village openly intervened in the public spaces of Singapore at various times in the city-state’s history from 1989 to 2015. The objective of this paper is to draw out how the artists collective used social situations to openly produce relational, participatory and socially engaged art in public spaces with specific functions, history and importance. These various forms of artistic interventions took place on a farm, in shopping malls, on public transport networks and at national monuments during different moments in Singapore’s rapid urban transformation. From these examples, one is able to understand why The Artists Village openly intervened in the public spaces of Singapore and how these interventions functioned in their limited scope. Through this study we are able to assess how the varying levels of collaboration, openness and criticality present in their public art projects enabled them to grow outside the centralised system of the nation-state in inserting their practice into the public sphere and engaging the masses.

中文翻译:

艺术家村:公开介入新加坡市的公共空间

摘要本文着眼于艺术家村的社会,对话和协作策略与实践如何在1989年至2015年这座城市国家历史上的不同时间公开干预新加坡的公共空间。艺术家集体如何利用社会环境在公共场所公开生产具有特定功能,历史和重要性的关系型,参与型和社会参与型艺术。在新加坡快速城市转型的不同时刻,这些形式多样的艺术干预活动发生在农场,大型购物中心,公共交通网络和国家古迹上。从这些例子中,人们可以理解为什么艺术家村会公开干预新加坡的公共场所,以及这些干预措施如何在有限的范围内发挥作用。通过这项研究,我们能够评估其公共艺术项目中不同程度的协作,开放性和批判性,从而使他们能够将自己的实践插入公共领域并吸引大众参与,从而在民族国家的中央体制之外成长。
更新日期:2019-12-13
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