ABSTRACT This article addresses ways that museums can strengthen programming for audiences who are blind or partially sighted. Through the development and study of a tour for people who are blind or partially sighted conducted at the Calouste Gulbenkian Museum – Modern Collection, in Lisbon (Portugal), the author examines other possibilities of access that go beyond the physical and communicative access considering, namely, the importance of the aesthetic experience for this audience access an art work. She argues that aesthetic access is crucial to the reconfiguration of blindness in art museums, leading to a closer relationship between the people who are blind or partially sighted and visual arts.

中文翻译：

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艺术博物馆的失明：葡萄牙案例研究

摘要 本文介绍了博物馆可以为盲人或弱视观众加强节目制作的方法。通过开发和研究在里斯本（葡萄牙）的 Calouste Gulbenkian 博物馆 - 现代收藏为盲人或部分失明的人进行的旅行，作者研究了超越物理和交流访问考虑的其他访问可能性，即，审美体验对于这些观众访问艺术作品的重要性。她认为，审美通路对于艺术博物馆失明的重新配置至关重要，导致失明或部分失明的人与视觉艺术之间的关系更密切。