ABSTRACT

This article analyses the opposition of the Council of Pilgrim Nations of Lord Quyllurit’i to the appropriation of the pablito/ukuku dancer by the Kausachun Cusco Political Movement during the 2014 Cusco municipal elections as part of a process of indigenization of politics in the Peruvian Andes. Quyllurit’i is the largest pilgrimage in the Peruvian Andes, recently included in the List of Intangible Heritage of Humanity. The pablito/ukuku dancers are crucial mediators between Lord Quyllurit’i – a Christ painted over a rock – and Apu Qulqipunku, a glacier closely related to the shrine. The opposition of the Council of Nations to Kausachun appropriation of the pablito/ukuku as well as the increasing electoral appeal of indigenous symbols are shaped by the confluence of two concurring processes: first, the democratization of the regional society partly due to the rural-urban migration and the 1979 instauration of universal suffrage; second, the global emergence of indigeneity and its instruments and the UNESCO Convention for the Safeguarding of the Intangible Cultural Heritage. While intangible heritage is closely related to neoliberal forms of governmentality, it has strengthened the Council of Nations in its organic and implicit indigeneity, and has even pushed it to an instance of explicit indigenous identification.

摘要

本文分析了在 2014 年库斯科市政选举期间，作为秘鲁安第斯山脉政治本土化进程的一部分，奎尔卢里特勋爵朝圣者民族委员会反对考萨春库斯科政治运动挪用帕布利托/乌库库舞者。 . Quyllurit'i 是秘鲁安第斯山脉最大的朝圣之旅，最近被列入人类非物质遗产名录。pablito/ukuku 舞者是 Quyllurit'i 勋爵（画在岩石上的基督）和与神殿密切相关的冰川 Apu Qulqipunku 之间的重要调解人。国际理事会反对考萨春对 pablito/ukuku 的挪用以及土著象征在选举中日益增加的吸引力是由两个同时发生的进程的汇合形成的：首先，区域社会的民主化部分是由于农村向城市的迁移和 1979 年的普选；第二，全球出现的土著及其文书和联合国教科文组织保护非物质文化遗产公约。虽然非物质遗产与新自由主义的政府形式密切相关，但它加强了国际委员会的有机和隐含的土著性，甚至将其推向了明确的土著身份认同的一个例子。