ABSTRACT The British dramatist David Hare (1947–) is a distinguished contemporary figure in the field of historical-political playwriting. To address the issues of his age, he makes use of history and the recent past as a model. Like Hannah Arendt (1906–1975), the twentieth-century political theorist and activist, Hare conducts a pathological study of his surrounding environment and the world. Both Arendt and Hare benefit from the past, Arendt from the distant past or the ancient Greece and Rome and Hare from the immediate past, in order to understand the present better. Indeed, history is a source of inspiration to them both. This paper is a study of Hare’s historical-political play, Fanshen, based on Arendt’s political insights on action and public and private realms. The play mainly shows that, contrary to Arendt – for whom the public realm of politics and the private domain of economy are two separate fields – for Hare there is essentially an interconnection between public and private spheres.

中文翻译：

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大卫·黑尔的范深和汉娜·阿伦特关于行动与公共和私人领域的政治观点

摘要英国戏剧家戴维·哈尔（David Hare，1947年-）是历史政治戏剧创作领域的杰出当代人物。为了解决他这个年龄的问题，他以历史和最近的过去为榜样。像二十世纪政治理论家和激进主义者汉娜·阿伦特（Hannah Arendt，1906–1975年）一样，野兔对其周围环境和世界进行了病理研究。Arendt和Hare都受益于过去，Arendt受益于遥远的过去，或者古希腊以及罗马和Hare受益于过去，以便更好地了解当前。确实，历史是他们俩的灵感之源。本文是根据阿伦特对行动以及公共和私人领域的政治见解，对野兔的历史政治剧《反身》进行的研究。该剧主要表现为