Thesis. Jan Svankmajer’s Kunstkammer is a project with a complex constellation of meaning that defies clear-cut categorization in the context of Pomian’s theory of semiophores. Discussed concepts. The paper describes the kunstkammer art project created by Jan Svankmajer, a Czech surrealist, in the context of Pomian’s theory of semiophores and compares it to traditional and historical equivalents, using the concepts of micro- and macrocosm, the world as a stage (Theatrum Mundi), hermeticism, and alchemy. Results and conclusion. Jana Svankmajer’s Kunstkammer should be analyzed primarily in the individual and subjective context, rather than in the social one. Originality/cognitive value of the approach. Pomian has described many examples of traditional kunstkammers, but there are also several modern collections that have not yet been described in the literature.

中文翻译：

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JanŠvankmajer的艺术馆：每件事都意味着一切

论文。扬·斯万卡默（Jan Svankmajer）的艺术学院（Kunstkammer）是一个意义复杂的项目，在波米安（Pomian）的符号学家理论的背景下，没有明确的分类。讨论的概念。本文描述了捷克超现实主义者Jan Svankmajer在Pomian的符号理论的背景下创建的艺术项目，并使用微观和宏观的概念将世界作为一个舞台，将其与传统和历史等价物进行了比较（Theatrum Mundi ），气密性和炼金术。结果和结论。Jana Svankmajer的《 Kunstkammer》应该主要在个人和主观的背景下进行分析，而不是在社会背景下进行分析。方法的独创性/认知价值。Pomian描述了许多传统昆士兰人的例子，