In the paper 'Pleasurable and Intersubjective Embodied Experiences of Electronic Dance Music', Ragnhild Torvanger Solberg and Alexander Refsum Jensenius report on a study in which the movements and self-reported affective responses of a group of dancing participants were recorded and related to structural properties of Electronic Dance Music. They observed that, compared with tracks that had a relatively flat dynamic development, tracks which included a 'break-down', 'build-up' and 'drop' of textural layers were associated with greater changes in movement amount and higher ratings of pleasure. Here I comment on their results and methodological approach and use the opportunity to address the continuous pleasure that was treated as a control in this experiment, discussing some reasons why affective responses to music with more evenly distributed dynamic progressions are so often ignored.

中文翻译：

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评索伯格和詹森斯：音乐中体现性愉悦的时间动态

Ragnhild Torvanger Solberg和Alexander Refsum Jensenius在论文“电子舞蹈音乐的愉悦和主体间的体验”中报告了一项研究，该研究记录了一群舞蹈参与者的动作和自我报告的情感反应，并与他们的结构特性有关。电子舞曲音乐。他们观察到，与动态发展相对平坦的轨道相比，包括“分解”，“堆积”和“掉落”纹理层的轨道与运动量的更大变化和愉悦度更高相关。 。在这里，我对他们的结果和方法论进行评论，并利用这次机会来解决在本实验中被视为对照的持续乐趣，