Abstract Andile Khumalo’s Tracing Hollow traces for solo B♭ clarinet (2014) presents ‘sound’ in multiple senses as a primary parameter of musical attention. Sound in this piece exists as the typical parameters (pitch, rhythm, timbre), but also as gesture, shape, resonance, sonority and as a kind of space in which to explore one’s listening. This listening opens out onto multiple subjectivities and ultimately onto a notion of freedom.

中文翻译：

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聆听的行为是发声的艺术：安迪尔·库马洛 (Andile Khumalo) 的《追踪空心》(Tracing Hollow) 独奏单簧管

摘要 Andile Khumalo 的 Tracing Hollow traces for solo B♭ clarinet (2014) 将多种意义上的“声音”呈现为音乐注意力的主要参数。这首曲子中的声音作为典型参数（音高、节奏、音色）存在，但也作为姿态、形状、共鸣、响度以及一种探索聆听的空间。这种聆听打开了多种主观性，最终打开了自由的概念。