Abstract Over the past 2 years, Tate’s approach to the conservation of performance-based artworks has been evolving, propelled by the increasing presence of performance-based artworks in Tate’s collection and Tate’s participation in various related research projects. Tate’s current approach is informed by views from performance studies around the relationship between performance and documentation, and recent considerations of the impact of performance on the systems and structures of the museum. One of the main outcomes of this approach has been the development of a Strategy for the Documentation and Conservation of Performance. This strategy takes into account advances in conservation theory around time-based media and performance art generated from within Tate, aimed at ensuring the continued activation of performance-based works from the collection. This article explores the process of developing the strategy including the definition of terminology and the creation of three documentation tools: Performance Specification, Activation Report and Map of Interactions.

中文翻译：

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在大老市制定保护基于表演的艺术品的策略

摘要在过去的两年中，由于表演艺术作品在泰特美术馆馆藏中的不断增加以及泰特美术馆参与各种相关研究项目的推动，泰特美术馆的表演艺术保存方法不断发展。泰特美术馆目​​前的做法是根据表演研究对表演与文件之间关系的看法，以及对表演对博物馆系统和结构影响的最新考虑而得出的。这种方法的主要成果之一是制定了“记录和保存绩效战略”。该策略考虑了围绕泰特内部产生的基于时间的媒体和表演艺术的保护理论的进步，目的是确保继续激活收藏中基于表现的作品。本文探讨了开发策略的过程，包括术语的定义和三个文档工具的创建：性能规范，激活报告和交互图。