The Cold War bunker stands as an anomalous, bulky reminder of an era of both existential anxiety and high-modernist optimism within architecture. Quickly abandoned at the end of the Cold War, since the early 1990s these remains have attracted increasing interest from enthusiasts, heritage professionals and academics, and attempts have also been made to find new uses for them. This article will examine — from an architectural perspective — this cultural re-engagement and the potential for renovation and adaptive reuse of these structures. Through a consideration of the post-war fate of four Scottish bunker sites — Barnton Quarry, Gairloch, Cultybraggan and Kirknewton — the lingering influence of preparation for war, and adaptation for peace will be traced, examining the ongoing cultural production of these places through their mnemonic resonances across wider architectural canon, and their symbiotic relationship with the contemporary cultural practices which valorize them.

中文翻译：

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重新打开掩体：四个苏格兰核掩体的战后命运的建筑研究

冷战地堡代表着建筑内既存在焦虑又有高度现代主义乐观主义时代的反常现象。自1990年代初期以来，这些遗骸在冷战结束时迅速被遗弃，引起了爱好者，文物专业人员和学者的越来越多的兴趣，并且还尝试寻找新用途。本文将从建筑的角度研究这种文化的重新参与以及这些结构的翻新和适应性再利用的潜力。考虑到战后四个苏格兰掩体的命运-巴恩顿采石场，盖尔洛奇，库尔特布拉格甘和柯克纽顿，我们将为战争的准备和对和平的适应产生持久的影响，