Abstract: This essay discusses how the 2016 South Korean television drama Descendants of the Sun attempts to distance the representation of the soldier from the necropolitical. Although various filming techniques and intradiegetic elements attempt to disengage the soldier figure from historical representations that continually emphasize the right to kill, Descendants ultimately demonstrates that the discourse of world peace itself is inherently violent. By promoting global humanitarianism, Descendants fails to provide a critical lens through which viewers can reflect on participation in a cosmopolitan ethos that depends on the continual renewal of neo-imperial relationships.

中文翻译：

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太阳后裔的士兵复活与和平政治僵化

摘要：本文讨论了2016年韩国电视连续剧《太阳的后裔》如何企图将士兵的形象与政治人物区分开。尽管各种摄影技术和内部观念的元素试图使士兵形象脱离继续强调杀人权的历史表征，但后代最终证明，世界和平本身就是一种固有的暴力。通过提倡全球人道主义，后代未能提供一个批判性的视角，观众无法通过反思来反思参与一种国际主义精神的情况，而这种精神取决于新帝国主义关系的不断更新。