Abstract: Chaplin's Limelight and A King in New York uncover how political trials often deploy a guilt‐by‐association strategy. In denouncing such politically motivated charades of justice, Chaplin becomes a Dreyfusard, a term that reminds one of Emile Zola for the anti‐establishment stance he maintained during the Dreyfus Affair.

中文翻译：

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卓别林，德雷福萨德

摘要：卓别林的《 Limelight》和《纽约之王》揭示了政治审判如何经常实施有罪恶感的结盟策略。卓别林在谴责这种出于政治动机的司法伪装时，成为了德雷福萨德（Dreyfusard），这个词使人想起了埃米尔·佐拉（Emile Zola）在德雷福斯事件期间坚持的反建制立场。