This essay aims to reconsider the practice of art criticism. The first part aims to clear away some misconceptions that reduce art criticism to a fundamentally negative discourse that asserts a theory/practice distinction. In the second part, the essay tries to think of art criticism as collaborative writing alongside rather than about an artist. The third part, however, highlights some problems insofar as communication and collaboration have become imbricated within post-Fordist socioeconomic frameworks. In addition, the fourth part seeks to propose another direction by suggesting why art criticism and Kantian aesthetics may discover a renewed interest in one another through rethinking the sensus communis as an alternative to post-Fordist sociality.

中文翻译：

---

艺术批评作品：合作，沟通，社区

本文旨在重新考虑艺术批评的实践。第一部分旨在消除一些误解，这些误解将艺术批评减少到一个从根本上消极的，论述理论/实践区别的话语中。在第二部分，本文试图思考的艺术批评的协作式写作旁边，而不是关于一个艺术家。但是，第三部分着重指出了一些问题，因为沟通和协作已经融入了后福特主义的社会经济框架。此外，第四部分试图通过提出为什么艺术批评和康德美学可能通过重新思考感官社区作为后福特主义社会的替代者而发现彼此之间重新产生兴趣的另一个方向。