Abstract In 1936, Le Corbusier proposed his first stadium, which he entitled a Centre national de réjouissances populaires de 100,000 participants. It was a spectacular cultural, sporting, and political vision for Paris as it was to hold 100,000 spectators. This was his first project to deal with architecture’s relationship with the crowd, and through Elias Canetti’s definition of the closed vs. open crowd, this paper investigates how Le Corbusier treated and understood the crowd through its relationship not only with the spectacle immediately in front of it in the stadium, but also with its relationship to national identity and politics outside the arena.

中文翻译：

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勒·柯布西耶和人群：100,000 名参加者的联合国中心，1936 年

摘要 1936 年，勒·柯布西耶 (Le Corbusier) 提出了他的第一个体育场，他将其命名为一个可容纳 100,000 名参与者的国家中心。对于巴黎来说，这是一个壮观的文化、体育和政治愿景，因为它可以容纳 100,000 名观众。这是他处理建筑与人群关系的第一个项目，通过埃利亚斯·卡内蒂 (Elias Canetti) 对封闭人群与开放人群的定义，本文探讨了勒·柯布西耶 (Le Corbusier) 如何通过人群的关系来对待和理解人群，而不仅仅是与眼前的景观的关系它在体育场内，也与它与竞技场外的民族认同和政治的关系有关。