Founded in 2010 by Sydney-based artist and academic Sarah Breen Lovett, Expanded Architecture is a multidisciplinary curatorial project that has, across a number of iterations, incorporated film, performance, exhibitions, and symposia. Its most recent version, Temporal Formal at Seidler City (November 7, 2014), was structured as a single-evening exhibition held across three buildings designed by Harry Seidler & Associates within Sydney’s city centre. This event was followed by a research symposium at the Museum of Sydney in conjunction with the exhibition, Harry Seidler: Painting Toward Architecture, which opened in the week leading up to Expanded Architecture. The recent publication of Expanded Architecture (2016) brings together content from Temporal Formal at Seidler City, including both the exhibition and the symposium. For Breen Lovett and co-curator Claudia Perren, Seidler’s buildings provided an opportunity to explore “current artistic perspectives on Bauhaus ideas and its advocates” (17). Anticipating the 2019 Bauhaus centenary, the book is one of a number of recent studies and events concerned with the various legacies of the institution. Nevertheless, by looking to ideas and advocates over masters and pupils, Expanded Architecture manages to shake off a Eurocentric view of what the Bauhaus might mean today, one hundred years after

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Expanded Architecture 由悉尼艺术家和学者 Sarah Breen Lovett 于 2010 年创立，是一个多学科策展项目，经过多次迭代，融合了电影、表演、展览和座谈会。其最新版本，Seidler City 的 Temporal Formal（2014 年 11 月 7 日），是在悉尼市中心由 Harry Seidler & Associates 设计的三座建筑中举办的单晚展览。此次活动之后，在悉尼博物馆举办了一场研究座谈会，同时举办了展览“哈里·塞德勒：绘画走向建筑”，该展览在“扩展建筑”前一周开幕。最近出版的扩展建筑（2016 年）汇集了塞德勒市临时正式的内容，包括展览和研讨会。对于 Breen Lovett 和联合策展人 Claudia Perren 来说，Seidler 的建筑提供了一个机会来探索“当前关于包豪斯思想及其倡导者的艺术观点”（17）。预计 2019 年是包豪斯百年诞辰，这本书是与该机构的各种遗产有关的众多近期研究和事件之一。尽管如此，通过寻找思想和倡导者而不是大师和学生，扩展建筑设法摆脱了包豪斯在一百年后今天可能意味着什么的欧洲中心观