ABSTRACT In several late works of Beethoven, we find a curious tie over the barline, in string and especially in piano works, where we find the numbers 4,3 over the tie, seemingly indicating fingering. Since the late nineteenth century scholars and performers have been discussing whether or not the second note should be struck or bowed again. Interpreting this curious tie goes not only to the problem of execution, but to the deeper musical question of Affekt.

中文翻译：

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贝多芬的案例：任何其他名称的领带......

摘要 在贝多芬的几部后期作品中，我们在小节线、弦乐特别是钢琴作品中发现了一个奇怪的系带，我们在系带上发现了数字 4,3，似乎表示指法。自 19 世纪后期以来，学者和表演者一直在讨论第二个音符是否应该再次敲击或鞠躬。解释这种奇怪的关系不仅涉及执行问题，还涉及 Affekt 更深层次的音乐问题。