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Cultural Wantons of the new Millennium
Journal of Critical Realism Pub Date : 2020-08-07 , DOI: 10.1080/14767430.2020.1798676
Margaret S. Archer

ABSTRACT In Culture and Agency (1988/1996, CUP), I distinguished between the ‘Cultural System' (C.S.), namely all items logged into the universal cultural archive, and ‘Socio-Cultural' (S-C) interaction, namely how we persuade others ideationally. This paper charts major changes in the C.S. since circa 1980 when a new generative mechanism developed - the synergy between globalized capitalism and digital science. Consequently, (i) cultural change became intensely morphogenetic; (ii) was increasingly treated as a marketable commodity, (iii) perpetrating the scam in which cultural goods (aka. Intellectual Property) lose value if freely shared. The concomitant changes in the S-C emphasized (a) its distracting effects for personal reflexivity, because the ‘presentism’ of SNMs fostered popular cultural wantons, (b) with damaging consequences for traditional social movements, and (c) encouraging Fake News from the political and economic elites, since it is less sanctioned and sooner forgotten than previously, but is more influential. Such elites are now cultural wantons themselves.

中文翻译:

新千年的文化狂想

摘要在文化与代理机构(1988/1996,CUP)中,我区分了“文化体系”(CS)(即登录到通用文化档案库中的所有项目)和“社会文化”(SC)相互作用(即我们如何说服)从概念上讲其他人。本文介绍了自1980年左右出现CS以来的重大变化,当时出现了一种新的生成机制-全球化的资本主义与数字科学之间的协同作用。结果,(i)文化变迁成为强烈的形态发生;(ii)越来越多地被视为可销售的商品,(iii)进行了这样的骗局:如果自由共享文化产品(又称知识产权),就会失去价值。SC的伴随变化着重于(a)它对个人反思的分散影响,因为SNM的“呈现主义”促进了流行的文化肆意,(b)对传统的社会运动造成破坏性影响,以及(c)鼓励政治和经济精英接受虚假新闻,因为与以前相比,该新闻受到的制裁更少,被人们更早地遗忘了,但更具影响力。这样的精英们现在本身就是文化的肆意。
更新日期:2020-08-07
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