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“Engelmann Told Me…”: On the Aesthetic Relevance of a Certain Remark by Wittgenstein
Estetika: The European Journal of Aesthetics Pub Date : 2020-01-01 , DOI: 10.33134/eeja.26
Joachim Schulte

This paper is an attempt at bringing out various aesthetically relevant points alluded to by Wittgenstein in what I call ‘the Engelmann remark’ – a longish manuscript remark written by Wittgenstein in 1930 and painstakingly discussed by Michael Fried in the context of elucidating what is strikingly new in the work of a photographer like Jeff Wall. One part of this paper is dedicated to summarizing and briefly examining the account given by Fried while another part is meant to clarify some of Wittgenstein’s points by way of contrasting their import with the story told by Fried. In this second part Wittgenstein’s late observations on aspect change are used to show in which ways these observations may help us to gain a better understanding of the idea of a specific ‘perspective’ claimed to go with a given work of art.

中文翻译:

“恩格曼告诉我……”:关于维特根斯坦的某句话的美学意义

本文试图找出维特根斯坦在我所谓的“恩格曼评论”(Engelmann remark)中提到的各种美学相关观点,这是维特根斯坦1930年写的一篇冗长的手稿,迈克尔·弗里德(Michael Fried)在阐明惊人的新事物的背景下进行了艰苦的讨论。在像杰夫·沃尔(Jeff Wall)这样的摄影师的作品中。本文的一部分致力于总结和简要研究Fried的论述,另一部分旨在通过对比Friedrich讲述的故事来阐明维特根斯坦的观点。在第二部分中,维特根斯坦的晚期关于宽高变化的观察被用来表明这些观察可以通过哪些方式帮助我们更好地理解声称与给定艺术品一起使用的特定“视角”的观念。
更新日期:2020-01-01
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