Abstract Our actions, even the quietest, are liable to become occasions for inculpation. But what kind of action would remain immune to the act of judgement? Such an action is made manifest in Michelangelo’s Moses. Freud’s cinematic reading of the sculpture yields a concern with what Moses does not do. Neither the origin nor the outcome of an action proves decisive but rather “the remains of a movement that has already taken place.” Such a remainder troubles the ascription of agency to action by undermining the fantasy of homogenous time which underlies it. Continuity is revealed as the semblance of an imperceptible series of temporal omissions. The paper aims not only to bring to light the radical potential harboured in Freud’s approach to the Moses but to account for the reason he arrests its appearance.

中文翻译：

---

行动时间

摘要 我们的行为，即使是最安静的，也容易成为指责的机会。但是什么样的行为会不受判断行为的影响呢？这种行为在米开朗基罗的摩西作品中得到了体现。弗洛伊德对雕塑的电影阅读产生了对摩西没有做的事情的关注。行动的起源和结果都不是决定性的，而是“已经发生的运动的残余”。这样的剩余部分破坏了作为其基础的同质时间的幻想，从而扰乱了将能动性归于行动的问题。连续性被揭示为一系列不可察觉的时间遗漏的表象。这篇论文的目的不仅在于揭示弗洛伊德对待摩西的方法中蕴含的激进潜力，而且还解释了他阻止其出现的原因。