The connection between autonomous art and complexity has been extensively and deeply studied in literary theories in the 20th century. The rise of aesthetic autonomy implies the complexity of literary work as the concept of a sealed container arises from the relationship between the parts that make it up. In this model, the interpretation subject works to directly face literary texts. Instead of pursuing the author’s intention, it aims to reproduce the richness and subtlety of the aesthetic state, and consider the richness and subtlety revealed in the maximum amount of text details in literary works, even if procedurally deviating from the way of mainstream understanding. There is increasing skepticism about the consequences of the autonomous aesthetics, which has been coerced by the development of contemporary capitalism, and it is necessary to develop new forms of aesthetics to reflect the changing social situation.

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复杂性：关于古典美学概念的一些评论

二十世纪的文学理论对自治艺术与复杂性之间的联系进行了广泛而深入的研究。审美自治的兴起意味着文学作品的复杂性，因为密封容器的概念源于构成容器的各个部分之间的关​​系。在这个模型中，解释主体直接面对文学作品。它不是追求作者的意图，而是旨在再现审美状态的丰富性和微妙性，并考虑文学作品中大量文字细节所揭示的丰富性和微妙性，即使在程序上偏离了主流理解的方式。人们对自主美学的后果越来越持怀疑态度，这被当代资本主义的发展所迫，